Monthly Archives: March 2015

Ancient Celtic Prince’s grave and chariot unearthed

princely-grave-aerial-1

This aerial view shows the funerary complex where archaeologists discovered a Celtic prince’s tomb dating to the fifth century B.C. (Copyright Denis Gliksman/Inrap)

The 2,500-year-old lavish tomb and chariot of an ancient Celtic prince have been unearthed in France.

The ancient princely tomb, which was discovered in a large burial mound, was filled with stunning grave goods, including gorgeous pottery and a gold-tipped drinking vessel. The giant jug was decorated with images of the Greek god of wine and revelry, and was probably made by Greek or Etruscan artists.

The stunning new finds “are evidence of the exchanges that happened between  the Mediterranean and the Celts,” Dominique Garcia, president of France’s National institute of Preventive Archaeological Research (INRAP), told journalists at a field visit, according to France 24. [See Photos of the Ancient Celtic Prince’s Tomb]

Ancient trade routes

Though the heartland of the Greek  city-states was clustered in Greece in the fifth and sixth centuries B.C., the economic powerhouses later expanded their reach throughout the Mediterranean. At their peak, the Greek and Western Etruscan city-states had settlements dotting coastlines all the way to modern-day southern Spain to the south and to the Black Sea, near modern-day Russia, to the north.

One of the key trading centers for this region was Massilia, in what is now modern-day Marseille, France. Merchants from the East came to the region seeking slaves, metals and amber, according to an INRAP statement about the find.

Many of the Mediterranean merchants bestowed impressive goods from Greek and Etruscan cultures as diplomatic gifts, in hopes of opening new trade channels. As a result, the Celts who ruled centrally located inland regions in the central river valleys amassed great wealth. The most elite of these ancient rulers were buried in impressive burial mounds, some of which can be found in Hochdorf, Germany, and Bourges, France.

Long burial tradition

The current site — located in the little village of Lavau, France, just a few hours’ drive south of Paris — served as an ancient burial place for centuries. In 1300 B.C., the ancient inhabitants left burial mounds with bodies and the cremated remains of people, archaeologists have found. Another burial at the site, dating to about 800 B.C., holds the body of an ancient warrior bearing a sword, along with a woman bedecked in solid-bronze bracelets.

The current tomb was part of a set of four burial mounds that were grouped together, dating to about 500 B.C., though the tomb itself is likely younger than the rest of the burials. People continued to use the ancient cemetery during the Roman period, when some of the graves were emptied and replaced by newer graves.

The newly discovered funeral chamber was found in a giant mound about 130 feet wide — one of the largest found from that time period. Inside lies the body of an ancient prince in his chariot. In a corner of the tomb, someone had placed several basins; a bronze bucket; a fluted piece of pottery; and a large, sheathed knife.

The most striking find was a stunning bronze cauldron, about 3.3 feet in diameter, that may have been made by the Greeks or the Etruscans.

The giant jug has four handles, with images of the Greek god Achelous, a Greek river deity. In this depiction, Achelous is shown with horns and bulls’ ears, as well as a beard and three moustaches. The stunningly worked cauldron also depicts eight lion heads, and the interior contains an image of the Greek god Dionysus, the god of winemaking, lying under a vine and looking at a woman.

“This appears to be a banquet scene, a recurrent theme in Greek iconography,” researchers from INRAP, which is overseeing the excavations at the site, said in a statement.

The cauldron, which was likely used by the ancient Celtic aristocrats in feasts, is also covered in gold at the top and the base.

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Cute Dogs for Your Monday Blues

Cute dog pictures to cheer you up…

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Wild Wild West Con 2015

First, I want to thank all the awesome people out there that put this together…

Co-owner and Director of Operations – Jason DrotmanJDrotman@wildwestcon.com

Co-owner and Director of Entertainment – Diana Given – DGiven@wildwestcon.com


 

Operations Department

Marketing Manager – Sarah CumberbatchMarketing@wildwestcon,com

Guest Services Manager – Nicole CantwellGuestServices@wildwestcon.com

Photography Manager – Wendy TrakesPhotography@wildwestcon.com

Security Manager – Ray Vaughn Rai – security@wildwestcon.com

Vendor Manager – Shamella Tribble – Vendors@wildwestcon.com

Volunteer Manager – Deena Johnson – Volunteers@wildwestcon.com

Here was what happened the last several days, ending at 6 pm today…

We’ve packed the first weekend in March with an amazing selection of Steampunk Fun!

• Concerts Featuring Abney Park, Steam Powered Giraffe, Frenchy and the Punk and The Cog is Dead

• See our list of over 35 FEATURED GUESTS!

• 62 Vendors • Contests • 80+ Panels & Workshops
• Entertainment and Rides • Fashion Show • Artists • Authors • Tea Dueling • Kids Zone • Performers • And more!

Lastly, thanks to the awesome mother/daughter Tucson Steampunkers (Susan McKinstry and Alexis McKinstry) that kept me company at the event!

Here are some sample pictures for you to enjoy!

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Excavation at Oregon site unearths ancient stone tool

oreg-stone-tool.jpg

This undated photo provided by the University of Oregon Museum of Natural and Cultural History shows a scraper chipped out of agate found at an ancient rock shelter in the high desert of eastern Oregon. (AP)

Archaeologists unearthed a stone tool at an ancient rock shelter in Oregon that could be older than any known site of human occupation in western North America.

The hand-held scraper was chipped from a piece of orange agate that is not normally found in eastern Oregon. The tool was found about eight niches below a layer of volcanic ash from an eruption of Mount St. Helen’s dated from about 15,000 years ago. The depth was about 12 feet below the surface.

The U.S. Bureau of Land Management announced the find Thursday. An archaeologist from the agency, Scott Thomas, said that if the age of the site holds up to scrutiny, it would be the oldest west of the Rockies, predating the Clovis culture that is believed to be the first people to migrate from Asia to North America about 13,000 years ago.

University of Oregon archaeologist Patrick O’Grady supervises the dig at the Rimrock Draw Rockshelter. He called the find “tantalizing,” but hopes to find out if the volcanic ash covers the entire area.

Donald K. Grayson, professor of archaeology at the University of Washington, said the scientific community would be skeptical.

“No one is going to believe this until it is shown there was no break in that ash layer, that the artifact could not have worked its way down from higher up, and until it is published in a convincing way,” he said. “Until then, extreme skepticism is all they are going to get.”

Two pre-Clovis sites are generally accepted by scientists, Grayson said. One is Paisley Cave, 60 miles southwest of the Rimrock site and another is in Mount Verde, Chile. Both are dated about 1,000 years before the oldest Clovis sites.

The find has yet to be submitted to a scientific journal for publication, but it has been reported in newsletters and at conferences, Thomas said.

Thomas found the site several years ago, while taking a break from carrying supplies to a session of the University of Oregon Archaeological Field School nearby that O’Grady was overseeing.

Thomas said he noticed an outcropping of an ancient lava flow, with some very tall sage brush growing in front of it, indicating very deep sediment deposits. The soil was black in front of the rock, indicating someone regularly built cooking fires there for a long time. An ancient streambed ran by, which would have given people more reason to stay there. And on the surface, he found a stone point of the stemmed type, found at sites both older and younger than Clovis. Similar points have been found at Paisley Cave.

The Associated Press contributed to this report

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Cosplay Pictures for Your Saturday!

Cosplay Pictures to Enjoy!

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Lucky Cat…

Left paw or right? Black, white or red? : Decoding the Lucky Cat

1OCT

What does it mean when a beckoning cat has its right paw or its left paw raised? What do the different cat colors mean? What about the coin the Lucky Cat holds, or the bib?  The meanings can vary from region to region within Japan, and some meanings have changed over time, but here is a general summary:

Tri-color Cat: (modeled after the Japanese bob-tail breed, this is a popular & traditional color for lucky cats, beckoning general good luck, wealth, prosperity)
White Cat: purity, happiness
Black Cat: safety, wards off evil and stalkers
Golden Cat: wealth and prosperity
Red Cat: protection from evil & illness (especially illness in children)
Pink Cat (a more modern color): love, relationships and romance
Green Cat (also a modern color): educations/studies

Right Paw raised: invites money and good fortune (usually to businesses)
Left Paw raised: invites customers or people
(Some suggest the right & left paws both invite business-related prosperity, but that the left paw is for businesses of the night, such as bars, geisha houses & restaurants. Use of lucky cats in homes is more recent)
Both Paws raised: invites protection of home or business
Coin: wealth and material abundance
Bib and Bell: may relate to protection, as well as wealth and material abundance

While the Beckoning Cat originates in Japan*, it has also become a popular good luck figure in Chinese businesses. Among these businesses, gold beckoning cats seem to be particularly popular (gold being associated with the desired wealth and prosperity of the business). One of our blog readers pointed out the meaning of some of the writing on the coins of the Chinese Lucky Cat at left (see areas circled in red). On the cat’s right paw (to the left of the photo) is a typical Chinese phrase of hope for good fortune (something like “the source of money spreads widely”). The middle is billion in simplified Chinese (another reader suggests the Chinese character circled in the middle is “5” or “go” in Japanese, which means “50,000” when paired with the character underneath). Another reader suggests the character on the right (under the left paw) means “open fate/destiny”, or “kai un” in Japanese. Japanese kanji is based on Chinese writing, and the meaning of the writing on Japanese lucky cat coins is similar (readers of Chinese and Japanese, please feel free to verify or comment). Maneki Neko collector, Don Hargrove also provides some more info on the coins in his comment in our “About” section.

The kanji at right is quite common on Japanese Maneki Neko coins (the coin is called a koban). It reads “sen man ryo”, which means 1,000 X 10,000 ryo.  So that is 10,000,000 ryo.  A ryo is the name of a gold coin that was used in Japan in the Edo period, and 10,000,000 of them was a huge fortune at that time.

 * For info on the Japanese origin of the beckoning cat, see this earlier blog post.

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Herbie the Love Bug sold for $32,100

herbie-876-rust.jpg

 (racingbug53)

The world’s most famous water “bug” has surfaced on Ebay.

One of the Volkswagen Beetles built for the “Herbie the Love Bug” movie franchise was sold Thursday on the auction site for $32,100.

It was featured in the 1980 film “Herbie Goes Bananas” and was one of two specially built for a scene where it sails through the Panama Canal.

According to the seller, the 1963 car had its engine, transmission and front suspension removed, and fiberglass wheels added, to help it float, and was sold as a parts car without title when production of the film was complete. From there, it ended up in California wrecking yard where it sat for several years.

A previous owner purchased it and replaced the rotted floorpan, which brought with it a new title. The current seller then added a working drive train with a 1.6-liter engine and 4-speed transmission.

The car runs and is road legal, features the faux-rusty paint job seen on screen, and was sold with a collection of extra parts that were used during filming.

And if its authentication documents aren’t good enough for you, it has a remote control that can move its headlights back and forth and use its windshield washers to squirt people.

It is a water bug, after all.

———-

 

 

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Random Humor for the End of the Week

Random humor and a shout out to Alexis who has been missing these posts…

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Honeybee Reaches 40 mph with Me Today!

Ok, I love convertibles, the faster the better.  This is not a mid-life crisis.  I have always had fast convertibles, preferably bright yellow.  There was that awkward stage where I had to have normal cars because I had kids (most convertibles have only two seats).

So today, there I was at a stop light, when I notice a honeybee land on my car just outside my window.  It was threatening rain, so I had my cloth top up.  This might seem like a peculiar occurrence, but I quite often have bees land on my car, thinking it is the mother lode of all yellow flowers.

My car

My type of car.

With fascination, I watched my insect buddy as he made himself comfortable on my 12 coat paint job with slippery clear coat and wax.  How fast can I in fact go before my friend can no longer cling to such a slick and un-accommodating surface?  I was first in line, so I kick in the old 0-60 in less than 5 seconds quick shift with a roar of the engine.

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Honey bee, thankfully larger than actual size…

 

One eye on the bee, one eye on my speedometer, the little guy made it to 40 mph before – whisk – off into the great blue yonder for my insect buddy.  How it held on until 40 mph I have no idea…

 

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No one could see the color blue until modern times

blue eyesPaulo Philippidis / flickr

It’s about the way that humans see the world and how until we have a way to describe something, even something so fundamental as a color, we may not even notice that it’s there.

Until relatively recently in human history, “blue” didn’t exist, not in the way we think of it.

As the delightful Radiolab episode “Colors” describes, ancient languages didn’t have a word for blue — not Greek, not Chinese, not Japanese, not Hebrew. And without a word for the color, there is evidence that they may not have seen it at all.

How we realized blue was missing

In “The Odyssey,” Homer famously describes the “wine-dark sea.” But why “wine-dark” and not deep blue or green?

In 1858 a scholar named William Gladstone, who later became the prime minister of Great Britain, noticed that this wasn’t the only strange color description. Though the poet spends page after page describing the intricate details of clothing, armor, weaponry, facial features, animals, and more, his references to color are strange. Iron and sheep are violet; honey is green.

So Gladstone decided to count the color references in the book. And while black is mentioned almost 200 times and white about 100, other colors are rare. Red is mentioned fewer than 15 times, and yellow and green fewer than 10. Gladstone started looking at other ancient Greek texts and noticed the same thing — there was never anything described as “blue.” The word didn’t even exist.

It seemed the Greeks lived in a murky and muddy world, devoid of color, mostly black and white and metallic, with occasional flashes of red or yellow.

Gladstone thought this was perhaps something unique to the Greeks, but a philologist named Lazarus Geiger followed up on his work and noticed this was true across cultures.

He studied Icelandic sagas, the Koran, ancient Chinese stories, and an ancient Hebrew version of the Bible. Of Hindu Vedic hymns, he wrote: “These hymns, of more than ten thousand lines, are brimming with descriptions of the heavens. Scarcely any subject is evoked more frequently. The sun and reddening dawn’s play of color, day and night, cloud and lightning, the air and ether, all these are unfolded before us, again and again … but there is one thing no one would ever learn from these ancient songs … and that is that the sky is blue.”

There was no blue, not in the way that we know the color — it wasn’t distinguished from green or darker shades.

Geiger looked to see when “blue” started to appear in languages and found an odd pattern all over the world.

Every language first had a word for black and for white, or dark and light. The next word for a color to come into existence — in every language studied around the world — was red, the color of blood and wine.

After red, historically, yellow appears, and later, green (though in a couple of languages, yellow and green switch places). The last of these colors to appear in every language is blue.

The only ancient culture to develop a word for blue was the Egyptians — and as it happens, they were also the only culture that had a way to produce a blue dye.

If you think about it, blue doesn’t appear much in nature — there are almost no blue animals, blue eyes are rare, and blue flowers are mostly human creations. There is, of course, the sky, but is that really blue? As we’ve seen from Geiger’s work, even scriptures that contemplate the heavens continuously still do not necessarily see it as “blue.”

Kettleman City California

Russell Mondy/Flickr

Is the sky really blue? What does that mean?

In fact, one researcher that Radiolab spoke with — Guy Deutscher, author of “Through the Language Glass: Why the World Looks Different in Other Languages,” tried a casual experiment with that. In theory, one of children’s first questions is, “Why is the sky blue?” So he raised his daughter while being careful to never describe the color of the sky to her, and then one day asked her what color she saw when she looked up.

Alma, Deutscher’s daughter, had no idea. The sky was colorless. Eventually she decided it was white, and later on, eventually blue. So blue was not the first thing she saw or gravitated toward, though it is where she settled in the end.

So before we had a word for it, did people not naturally see blue?

This part gets a little complicated, because we do not know exactly what was going through Homer’s brain when he described the wine-dark sea and the violet sheep — but we do know that ancient Greeks and others in the ancient world had the same biology and therefore same capability to see color that we do.

But do you really see something if you don’t have a word for it?

A researcher named Jules Davidoff traveled to Namibia to investigate this, where he conducted an experiment with the Himba tribe, which speaks a language that has no word for blue or distinction between blue and green.

blue squaresVidipedia/Himba color experiment

Namibian tribe member participating in a research project.

When shown a circle with 11 green squares and one blue, they could not pick out which one was different from the others — or those who could see a difference took much longer and made more mistakes than would make sense to us, who can clearly spot the blue square.

But the Himba have more words for types of green than we do in English.

When looking at a circle of green squares with only one slightly different shade, they could immediately spot the different one. Can you?

green squares himbaVidipedia/Himba Colour Experiment

Which square is the outlier?

For most of us, that’s harder.

This was the unique square:

Vidipedia/Himba Colour ExperimentVidipedia/Himba Colour Experiment

Davidoff says that without a word for a color, without a way of identifying it as different, it is much harder for us to notice what is unique about it — even though our eyes are physically seeing the blocks it in the same way.

So before blue became a common concept, maybe humans saw it. But it seems they did not know they were seeing it.

If you see something yet can’t see it, does it exist? Did colors come into existence over time? Not technically, but our ability to notice them may have …

For more fascinating information about colors, including information on how some “super-seeing” women may see colors in the sky that most of us have never dreamed of, check out the full Radiolab episode.

Read more: http://www.businessinsider.com/what-is-blue-and-how-do-we-see-color-2015-2#ixzz3TGg4AIWR

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